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菊花影院

洗牌
日本日语1981
典型的早期日式朋克电影,黑白影像+连续而晃动的手提摄影+朋克乐,石井当年就是以此片出道的。。。    This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).    After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.

菊花影院

漂流欲室
韩国韩语2000
森林里一条偏僻小路的尽头,是一片长满芦苇的湖,湖下面有一个渔场,上面有一间间的水上宾馆,它们远看像是一个又一个的“小岛”。湖的主人熙真(徐倩)是一个漂亮的哑女,早上她驾驶小船接载宾馆的客人,顺便卖鱼粮给渔夫,晚上则以姿色诱惑那些客人,许多心术不正的男人都死在了她的美色中。 曾是警察的贤植(金儒哲)因杀掉不忠女友逃亡到“小岛”,左思右想后准备吞枪自杀,就在举枪时,熙真突然从水里冒出来,把一把尖刀插入他的大腿,自杀不了的贤植对熙真产生既古怪又亲密的感觉。自此,两人开始在世外荒源上演疯狂激烈的情欲角逐大战。 影片的英文译名是The Isle,isle是小岛屿的意思,相比island,它在气度上小了许多。而岛在哲学中的意想就是孤立,孤独。影片的所有细节都是在孤独的名义下衍生的。 《漂流欲室》是金基德最重要的作品之一,是他的“残忍美学”中最有代表性的作品。保留并伸展了金基德的个人风格,用成熟的手法演绎具破坏性但美丽的生活及爱情。把欲望、残忍、死亡、符号等元素玩到了极致。对白上的极简主义,也颇为突出,主人公是个哑女,男主人也一句对白没有,只有几个客串的龙套有一些对白。《漂流欲室》关心的是欲望的原始形态:捕捉,屠戮,虐杀,性,和这一切指向的:占有。

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